Poems For The Dance by Scott Thurston (Aquifer)

This is an exceptional post by Ian Brinton in Tears in the fence´s blog today. Being an avid William Carlos William reader, I feel the need to keep it here.

Tears in the Fence

In 1923 a Doctor in Rutherford was firmly convinced that much depended upon a red wheelbarrow which sat “glazed with rain / water // beside the white / chickens”. Wallace Stevens referred to that wheelbarrow as a “mobile-like arrangement” and Hugh Kenner suggested that the words hung together dangling in “equidependency, attracting the attention, isolating it, so that the sentence in which they are arrayed comes to seem like a suspension system.” Seven years after the placing of that same wheelbarrow William Carlos Williams went on to weave in words a picture of a cat which “climbed over / the top of // the jamcloset”. The 27 words of the cat’s movements are described in what Kenner called “one sinuous suspended sentence, feeling its way and never fumbling.” In The Pound Era Kenner went on to present us with a surfer:

“The surfer planes obliquely down a hill that renews…

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